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   This work is about connecting to my fragmented Chinese heritage. Working through the intersecting layers of queerness, disability, femininity and race - These ritual objects are a reimagining of cultural futures, merging the old and the new, the real and the fantastical, existing as a hybridized manifestation of a confused identity. The series explores self-tokenism and the history of ornamentalism and it's relationship to objects and bodies.

   Funded by Canada Council for the Arts, Arts Nova Scotia and Support4Culture.

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